Single Question Interview: David Anderson

Gore horror or slight, with a hint of blood?

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Slight. The imagination makes it so much more gruesome than could ever be shown on screen. Plus, it involved the viewer more.

My mom instilled in me a firm love of Alfred Hitchcock and he used the implied violence better than probably anyone. Though I’m not afraid to get into the gory details with my writing, leaving things to the reader is a great way to suck them into the story. They then become more than just an observer. They become part of the action, horror, or suspense.

Plus, gore for gore’s sake is just lazy storytelling. Why make it simple when it can be beautiful? Find ways to make the disgusting amazing, the horrible intriguing, and the revolting irresistible. Make is all beautiful chaos.

***You can pick up David’s books through AMAZON.

(Want to take part in a single question interview? Contact me for your question.)

Single Question Interview: Lyda Morehouse

What do you think is the future of science fiction?

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I’m tempted to say something completely frivolous like: chickens.

My son will tell you that “chickens” is, in fact, my default answer to a lot of questions, including, “What shall we chat about tonight, Ima?” But I don’t actually think there will be chickens in the future, and there are very, very few fowl of any sort represented in science fiction.

So what will the future of science fiction be? I guess it depends on what we’re talking about. Predictive trends? The hot new thing? In that case, I really, really wish I knew because I’d sit down and write it immediately. Steampunk must be running its course, so what comes after that? More superheroes? Vampires in space? Werewolves on the moon?

I have no idea.

One thing I can predict with absolute certainty is that some literary writer somewhere will write a story or a novel or an epic poem that involves one of our long-standing tropes, like, say, a post-apocalyptic landscape or time-travel or dragons or mermaids and become a run-away bestseller lauded for their ‘mind-blowing originality’ much to the chagrin of science fiction writers everywhere. Margaret Atwood will also deny she writes science fiction. I can predict that with some accuracy.

But, if you mean what will the future of science fiction be in terms of how it will be consumed, I think I have some inkling about that: fan fiction. I predict that the next generation of fans will discover favorite science fiction/fantasy books by reading their fanfic first. Actually, I don’t have to predict that. It’s already happening. Recently, after being one of the guests of honor at CONvergence, one of the largest science conventions in my hometown of Minneapolis/St. Paul, I made several twenty-something friends, whom I started following on Twitter and hanging out with socially. These young fans told me time and time again: “Oh X? I read the slash fic first and decided it sounded cool, so I went back and read canon,” i.e., the Manga/comicbook/book/TV show/movie/etc. that spawned the fan work.

So, I predict that in the future, not too long from now, authors will be required to build their own community of fans FIRST. Things like this are already happening on Twitter and other social media and on what us old people call ‘the web.’ Think about John Scalzi’s rise to fame. For all intents and purposes, he made a cult following for himself first. Therefore, I predict that in the future, authors will be bought and sold based on their Klout rating.

But, I think, too, having free, available fan work of some kind will be critical to future writers’ success. Even if it’s a collection of images or fan art on Tumblr, I think that part of what writers of the future will present to editors and agents of the future is their ‘fan package.’ They will make pitches that sound like this: “I come with cute cosplay! My fans have written five hundred thousand words of fic! Have you seen the hot slash pairing pics on [fill-in future smerp for deviantart]?! I’m so big, there are already a half-dozen backlash memes!”

That’s what the future of science fiction will look like.

Oh, and e-books. I’m thinking that’s a big thing.

***You can pick up Lyda’s books through Amazon HERE and HERE.

(Want to take part in a single question interview? Contact me for your question.)

Single Question Interview: John Goodrich

Lovecraft, Poe or somewhere in-between?

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I lean more towards Lovecraft than Poe, although Poe had a broader range, Lovecraft’s ability to imagine and then describe the completely alien wins him over for me.

That said, I wrote a piece for “Beyond the Mountains of Madness” that linked “The Narrative of A. Gordon Pym” with “At the Mountains of Madness.” Pasticing one author is difficult, but trying to somehow merge the two different writing styles was an insane headache. But the adventure won an award, so I guess I didn’t do too terribly.

***You can find out more about John through his  WEBSITE.

(Want to take part in a single question interview? Contact me for your question.)

Single Question Interview: Jessica McHugh

Write for fun or for fans?

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I see two potential interpretations of this question, so I’ll answer both.

First, if we’re talking about crafting my story based on my own desires or what I think my fans will like, it’s a mixed bag. I never write a story with the desire to please anyone but me. But during editing, when I can see the story as a whole and put myself in the reader’s shoes, I might tweak certain things. More often than not, I choose to surprise rather than satisfy in what the reader thinks he/she wants. Without giving too much way about my novel “The Sky: The World,” I had the opportunity to make an obvious love connection at the end of the book. But based upon the character development I’d set in place, a love connection didn’t feel right. I’ve had a few people say they’d wished the characters had ended up together, but I think in subsequent readings, they saw how that would’ve been an illogical conclusion based on the character’s personalities. I’m not going to smash two people into a relationship because it’s the easy/fashionable/sweet thing to do. But if I see a proper way to give readers what they want, I’m more than happy to oblige. After all, a disappointed reader can be a dangerous thing.

Second, I absolutely write for fun. I wouldn’t take on such a hard career path if I didn’t derive enjoyment from it. However, I also want to make a living as a writer. I want people to read and enjoy my work. I would still do it if I didn’t have/want fans, but I wouldn’t work as hard as I do. With 7 active projects and 12 on the backburner, it’s surprising I haven’t gone off the deep end yet. I guess all of the fun I have in fiction is my life raft.

***You can pick up Jessica’s books through AMAZON.

(Want to take part in a single question interview? Contact me for your question.)

Single Question Interview: Vincenzo Bilof

Zombies, slow or fast or otherwise?

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The concept of a zombie should not be defined by stifling conventions; monsters are born in nightmares. If a zombie is an “unreal” composite of death and humanity, an author’s vision of terror might imbue the monster with other details. What are the limitations of a zombie that can run? How fast can it run, and for how long? Why is a zombie moving slowly? Why does it groan? If we can acknowledge that horror includes a fear of the unknown, why should fear be defined? What is left to fear if all conventions have crafted a monster we know? If we suggest that convention dictates the monster, than we suggest the monster itself does not inspire dread. The zombie itself is not the only source of fear. The characterization of the zombie should be used by the artist at will; restrictions hinder genre, story, and innovation.

***You can pick up Vincenzo’s books through AMAZON.

(Want to take part in a single question interview? Contact me for your question.)

Single Question Interview: Joe R. Lansdale

What scares Joe?

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When I was a kid I don’t remember being particularly scared of the dark or what was under the bed, anything like that. I got delicious scares from stories and movies and certain TV shows, and sometimes an after event sort of creep. That said, I never really was an overly frightened child. My imagination could conjure up some serious boogers, but this was all delightful stuff and it passed in a kind of warm haze, like a hot bath going cold. I loved it. But what really scared me, what made me nervous, what truly frightened me were true life events. I remember the Boston Strangler, and wondering how far Boston was from where we lived in East Texas. Quite far, actually, but the idea of this guy was terrifying to me. And Charles Whitman who climbed up in the University Texas tower and rained death and burning hell down on unsuspecting students and teachers and people near the campus really got to me. How could someone do this? IN COLD BLOOD, first the film, and then the book, messed with my head, and I still think about it to these days, and a recent re-reading of it did nothing to soothe those feelings. It’s still dark. Still unsettling, and it was true. For me the fears of the supernatural are, as I said before, a kind of warm chill, if you can imagine such. Something I know isn’t true, and that I can get over quickly. It’s a thrill, not a true terror. Life, wars and disease and early, lingering death, all the things I mentioned before, something terrible happening to a loved one, those are my true fears, not witches and vampires, werewolves and the living dead.

***You can pick up Joe’s books through AMAZON.

(Want to take part in a single question interview? Contact me for your question.)

Single Question Interview: Eric Beebe of Post Mortem Press

What scares Eric?

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That’s a tough one. Of course there are the jump scares or startles that you can get from a horror movie, but that’s not really fear, those are more of an unexpected surprise. I can say I have an irrational fear of water and unrestrained heights. The water one is pretty easy to explain, the heights, not so much.

When I was kid I took swimming lessons at our local pool. The first part of the first lesson was to become acclimated to being underwater and holding your breath. How was this accomplished? The teacher forced you underwater until she felt it was time to let you up. Without warning, for what seemed like hours I was forced underwater. The teacher wouldn’t stop until I stopped struggling. That never happened. The next day, my so called friends poked fun at me by dunking me, constantly. At age 8 or 9, this was traumatic. I believe it is also the root of my fear of water. To this day, if I see a water park, I cross to the other side of the street.

Unrestrained heights is an odd one. I can’t really explain it. I love roller coasters. The taller and faster the better. I have no issue with flying either. Yet put me on a ladder, on the roof of a house, or even on a tall bridge, and I start to freak out. I have learned to temper my response some as I have gotten older, but it still is an issue for me. One that’s not as easy to avoid as water.

But these fears or phobia still aren’t the kind of fear that keeps me up at night. I am not haunted by water or heights, more embarrassed than anything I suppose.

Like many people, I suppose my deepest fear is failure. I fear that I failed parents, failed my children, failed my wife, failed my friends, failed myself. That to me, is the ultimate fear. This is something I may or may not have complete control over, and if it goes wrong, it is my own fault. To me, the fear of failure is what keeps me up at night.

***You can pick up POST MORTEM PRESS books through AMAZON and other vendors, or on their  WEBSITE. Most books are also available at various conventions PMP attends annually.

(Want to take part in a single question interview? Contact me for your question.)

The Next Big Thing

I was tagged for the Next Big Thing promotional blog project by the talented Cynthia Pelayo, whose upcoming book Santa Muerte is worth the read. Check this book out very soon from Post Mortem Press:

The Ten Interview Questions for the Next Big Thing:

Q: What is your working title of your book?
A: CONSTRUCT

Q: Where did the idea come from for the book?
A: This idea perhaps arose from one night spent staring at one of those plastic Easter eggs for too long. It sounds odd, but when you read the story it will make sense.

Q: What genre does your book fall under?
This one will be primarily a science fiction/horror mix, perhaps with a dash of fantasy for seasoning.

Q: Which actors would you choose to play your characters in a movie rendition?
A: You know, I’ve heard a lot of authors who say they have an actor in mind when they create their characters, but my head doesn’t work that way. I think what I see in my mind is more of a conglomeration of people. But if I had to choose, I think I might go with whoever is popular at the moment. Popularity reaps ticket sales.

Q: What is the one-sentence synopsis of your book?
A: When you begin this book, you will think it another zombie book and likely expect the normal run of the mill obstacles, but not everything is always as it seems and this is not a book about zombies.

Q: Will your book be self-published or represented by an agency?
A: I received some interest from an agent when this story was only a few thousands words, so I may try my hand at that.

Q: How long did it take you to write the first draft of your manuscript?
A: I’m halfway through now, but I’ve taken a bit of a hiatus to focus on the third book in THE SAGA OF I and THE DEAD CIVIL WAR. Plus, I’ve been reworking a bunch of shorts for my next collection, which I plan to shop around a bit. I’m sort of clearing the deck to finish this one up, which will likely happen in the early half of 2013. In total, that might end up being a handful of months.

Q: What other books would you compare this story to within your genre?
A: That is a really tough one. I worked really hard at trying to do something different with this one. And while I know that is no easy task, I do think I’ve got something with this story. The first chapter in this book is really misleading and people will think it is all about zombies. Of course they will, because I did when I started to write it. But sometimes your characters take over and they reveal that one little detail, the secret that transforms the story into something completely different. So I’m not sure really, but I suppose I’m fond of THE STAND by Stephen King, so maybe a slight taste of that.

Q: Who or what inspired you to write this book?
A: Too many sleepless nights full of bad dreams, waking up unable to breathe and trying to make the best of it. I write from my heart about my own fears and while my worries may not encompass something as outrageous as this story, elements of those fears are what comprise much of the subplots.

Q: What else about your book might piqué the reader’s interest
A: Hell, if I don’t have you at “This is not a zombie book” when it clearly appears that it is, then I’m not sure what more I can offer you. When you see this book, try it. You just might like it.

I’m a little late to this game and I am supposed to tag five authors to make a similar post. So if you are reading this and would like to take part, then contact me and I will tag you in this post.

~Kenneth W. Cain

2012 Coffin Hop Post

LEAVE A COMMENT ON THIS POST FOR A CHANCE AT
A FREE COPY OF MY DARK FICTION COLLECTION
THESE OLD TALES!

When I was young, far too young to know the harm I could do to myself by watching terrifying movies, I permanently damaged something inside of me. You see, I was not the sort of child who ate well at dinnertime. I am reminded of this daily as I struggle to get my own children to eat their dinners. However, back then, I had a secret agenda.

While other children played Asteroids or with Lincoln Logs before going to bed, I stretched out dinner as long as I could manage. And for good reason. My mother made me sit at the dining room table until I finished everything that was on my plate, knowing I never would. Still she tried. But I waited because I knew at some point my mother would turn the television to the shows I wanted to see. My seat at the table had a direct view of the television.

From the dinner table I watched full episodes of The Twilight Zone, Alfred Hitchcock, One Step Beyond, and many more. At the mere age of four I watched The Omen in its entirety. I filled my curiosity of the things that haunted me to my heart’s delight. And then something broke. One night my mother turned on Psycho and life for me would never be the same.

I know what you’re thinking; “I’ve seen that movie. It’s not that bad.” Well I assure you at 4 or 5 years old it is quite terrifying. In fact, I have never looked at taking a shower the same way. I am thankful for my clear shower stall, no curtain needed to hide the things that might be waiting to stab me. It was such a defining moment in my creepy little life.

You see, it is this emotion I feel when taking a shower that I have become obsessed with. I think all children feel it, and although kids now seem a bit desensitized to it all, it is still there. It hides under their beds or sleeps right outside the window waiting to get in. It’s in their closet calling out their name or in the basement. True horror is always there whether we choose to admit it or not. It waits for us, always there in that brief second where the realization that it does exist finds us. It is then it leaps out, causing us to jump out of our skin.

So why the obsession you ask? Why does one obsess so over lack of sleep? Is it because we desire it so or because we loathe the knowing that we will not find rest? My fascination with horror exists simply because I cannot get these images out of my head. These fears have long haunted me, always waiting around one corner or the next, always terrifying. So it is this constant fear that I examine in my stories, trying to discover the truth behind each horror I have encountered.

Does it work? Some, but not much. I sleep lightly, waking often throughout the night. When we stay at hotels I still peek out around the shower curtain expecting to find Norman Bates, or maybe something worse. I know the Boogeyman rests under my bed, waiting for my eyes to close before he makes himself seen. Ghosts sit at the edge of my bed, hoping I will not wake as they study me. These horrors are part of me and likely always will be. And this is why I write.

Please make sure to click on the banner above and visit all the coffin hoppers. Many of them are giving away prizes including FREE books. If you would like to win a digital copy of my dark fiction collection These Old Tales please leave a comment here on this post. I will randomly select 5 winners and reply to your post for you to email me your contact information if you win. Also, feel free to follow my blog and keep up with future releases.

Thank you for stopping by my website.

                        

11/06/2012 RELEASE!                                         05/05/2013 RELEASE

~Kenneth W. Cain

Post Mortem Press Featured Author – Lydia Peever


A QUICK LITTLE INTERVIEW WITH THE CURRENT POST MORTEM PRESS FEATURED AUTHOR – LYDIA PEEVER

Q: Tell us a little about your writing. What is your typical genre, your style, the voice you aim for and such.

A: I grew up in a moody little town reading a lot of dark fiction. That tends to dictate my personality today as well as how and what I write. As far as genre, I would like to say I write horror purely and simply, yet I do have a literary tone. As bad as I want to write a hot slasher that leaps off the page I get caught up in the bloody little details. The things that really make humans tick.

Q: What are some of the endeavors you have on the horizon, or have been participating in?

A: Lately, I have been planning a nice launch pad for short horror in a ‘zine format. ‘Single Tale’ will be a series of evil and horrific stories geared toward a very adult audience. Eventually, I also hope to publish a collection of my short horror under an anagram – because I adore anagrams – that has an audio book styled accompaniment. The prototypes of these projects are being tweaked. Over the winter of 2012 I will be doing a lot of planning with Hora Morior as well and hoping to bring a lot of others terrifyingly dark art out through them. Also, the sequel to Nightface. That is the biggest thing in my life right now. Bigger than eating food and getting proper sleep!

Q: Do you prefer longer or shorter fiction? And what do you think each provides for your writing?

A: Short fiction is a lot like a perfect dinner date. It starts, it’s nice, it’s over, you smile and go home. Everyone is happy and it is something nice to think about for a few days. Long fiction is… different. Long fiction is that distressingly hot crush. The toxic relationship that just can’t quit. It can go on for years and tear your mind apart. You love every other minute, but hate the next one. No matter how many short-fiction dinner-dates you go on, this is what is tattooed behind your eyes and thrumming within the beat of every song. I enjoy both and prefer to do them both on a regular basis. Sometimes on the same day.

Q: Let us know a little about your favorite character that you have created, and what makes them your favorite?

A: It is a toss up, really, but I would have to say Turner. Turner is a young man in my short story entitled ‘Thicker Than’ published by West Pigeon Press in the ‘For When The Veil Drops’ anthology. In some ways, he is a male version of me on a bad day even though he is based on someone I used to know. So dark, so sad, everyone can relate to that angst that leaves you nearly mute and a true ticking time bomb. I also like The Farmer in Nightface a lot since he does not really fit into any horror envelope neatly.

Q: What do you typically read and how do those authors help to define your own writing?

A: A tough question! I could list many authors and have people guess at who really influences me, but the truth is I am influenced by life. Non-fiction. The news. People I meet. That is the huge influence, and my own ‘extremely regular’ life. I read a lot so there is truly list of hundreds of authors that could be here but; Richard Laymon and Edward Lee to relax – a clense palate for reality as it were. Kathe Koja, Clive Barker, Chuck Palahniuk and Otsuichi may influence my style – but I did grow up on a steady diet of Stephen King novels and encyclopedias.

Q: What advice might you offer to other writers in their endeavors?

A: Find your groove, and the minute it gets slippery, slide into another one. Test yourself and write longhand. Nothing beats writing out tens of thousands of words with a pen on paper. Read your stuff aloud. Get lost in your words so you can see them from the inside, and how they really work. Then sell it.

Q: What things have you experienced as set backs and potential deal breakers? Also, what things have helped you to gain exposure, bring attention to your stories?

A: My family and friends from home have been a huge support, for sure. Associates at school and partners in business help as well, as I have had several careers in my short time. The musicians and artists I know are a constant boon and huge inspiration as well as those goth, kink, and fellow writer types I adore. Attending any horror-related event always helps and is a great way to blow off steam too. Setbacks? The only setback is not having as many hours in a day as I would like to just f’n write.

Q: Finish this sentence, “Lydia Peever is a…”

A: … typical girl.

Q: Anything else you would like to promote, say, or rant about?

A: I do horror-related work for Ottawa Horror and Hora Morior so please check them out. Also, I get a lot of support from Patron Saint of Plagues – phenomenal horror rock – designed their current website and helped produce a video for ‘Things Arn’t What They Seem’ [sic]. Along with other authors, I get a lot of inspiration from musicians, artists and photographers.

http://nightface.ca/
http://www.facebook.com/Nightface
http://typicallydia.com/
http://www.ottawahorror.com/
http://horamorior.com/
http://www.patronsaintofplagues.com/

Bio: 
Lydia Peever is a journalist and horror author living in Ottawa. With articles in some newspapers and magazines, she is currently working on the sequel to her violent vampire novel, Nightface.

With too many hobbies and diverse interests, you may find her researching genealogy in a dusty library, profiling artists for ottawahorror.com, or taking photos at a punk show. By day, she haunts trendy cafés, tends poison flowerbeds, and photographs roadkill.

 

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