One of my earliest stories is “In The Shadow Of The Equine.” That one made it into several anthologies and when I conceived Hell, Delaware and decided to include one story about a lighthouse, I figured why not both? So we see the transformation of Hell over the decades, that particular site going from a cult of literal mind-controlled religious fanatics spreading the “word” of a god to an area where strange mammoth creatures exist, some hidden from us, living among us, controlling us when necessary. There’s a lot of connected stories in Hell, some subtle and some more involved over multiple stories. #storiesfromhell

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It’s been 10 years since my father passed. I still hear his voice. See his face. After he passed, I wrote a story that I workshopped at a writers bootcamp (yes, that one). The reception on the story was mixed, about 50/50 on it, so I was anxious to hear the feedback, good and bad, because that story meant a lot to me. And for those 10 long years I just couldn’t figure it out. I hadn’t, in fact, until just before the release of HELL, DELAWARE, and in time to include it. I put a lot of our relationship in that story, so I read it at Authorcon. But I don’t think I’ll read that one again, as I got quite choked up right at the end. That story is “Stamp Collector” if you’re interested; a story inspired by his passing and this little black box he always kept his special trinkets in. #StoriesfromHell

Pick up your copy now: https://mybook.to/hellde